Slipknot are BACK

Two years of silence but now, alongside their Knotfest shows, Slipknot release their new song “The Chapeltown Rag”.

Corey Taylor says, “it’s a punisher. It’s classic Slipknot. And it’s frenetic. 

Lyrically it’s coming from a point of talking about the various manipulations that can happen when social media meets media itself. And the different ways that these manipulations can try to pull us in different directions, in the fact that we’re all becoming addicts to it, which is very, very dangerous.”

Listen to it here

https://youtu.be/j2v4u7VhoPU

 

RIP Joey

 

Joey Jordison, one of the founding members of Slipknot, died at the age of 46 this week.

His family said the legendary drummer died “peacefully in his sleep”. He was said to have had “a gentle soul and a big heart”. No foul play or drugs were linked to his death.

He rose from founding Slipknot in 1995 in Des Moines, Iowa to winning a Grammy with the nine-piece in 2006 for their third studio album „Vol. 3 (The Subliminal Verses)“. His proudest moment was winning „Best Drummer“ in the 2010 edition of ‚Rhythm‘.

Joey Jordison was shocked when the band decided to kick him out of Slipknot in 2013, apparently “without any explanation or comments from his band members or their management“. Rumour had it that his playing ability started lacking due to his recently diagnosed nerve disease Transverse Myelitis. In true Jordison fashion he fought hard to rehabilitate his skills with months of intensive physio therapy, going on to play with bands like Metallica and Rob Zombie, but also founding new projects like Murderdolls, Scar the Martyr, Vimic and Sinsaenum.

Jordison was a drumming legend and will be missed by his fans and colleagues alike. RIP my friend.

Joey Jordison

Why Cry When You Can Laugh?

These are weird times, in a surreal world. Someone ate an undercooked bat and now we cannot see our friends, cannot visit our mums and dads in their homes, or in a home, have to wash our hands twenty times a day, instead of the five we were accustomed to. Saying that, a friend of mine went to a Private Club in London at the beginning of this pandemic, and some of the posh ladies in the bathroom did not wash their hands after doing a pee pee, which you would do even if there wasn’t a bird flu virus swirling through the British capital and beyond. So, sometimes I question our common sense.

But there you have it: some of us obviously believe that the virus is beneath us, that we are untouchable. Take the old people at our local Farmer’s Market. Germans don’t know how to queue at the best of times - we are now at the worst of times. They stand there in their little groups of fours and fives, maybe with a little more distant between them, maybe not. Perhaps the greater distance is why their comments about “look at her with her mask, it is not like this is the Pest; I have lived my life, doesn’t concern me; I have been standing here with the cucumber I picked up from the stack (with the sign that says “Do Not Touch” next to it) for two minutes, it is all I am buying from you, only to put it down back on the stand and walk away angrily for not being served; I am covered in Jesus’s blood, the virus cannot touch me” are so audible. 

Our whingeing is what the Germans call “complaining of the highest order”, which I like to call “First World Problems”, like cancelling the cleaner, having to go to the grocery store twice a week instead of five times a week, cooking for your college student kids who have decided to listen to you and spend this time of uncertainty at home, and having to exercise at home or outside instead of a stinky gym. 

I tend to complain a lot. But then I always try and find the good in the bad. The Persian saying of “this too shall pass” is too passive as my mantra. This is a good time to evaluate what you want in life, what you don’t and what you can do without. Those last two are not the same things. 

It helps to be authentic, it helps trying new things- no, I will not attempt to sew a mask for example, but I did join an online Literary Festival last week, set up by CJ Cooke. It was during one of the sessions with Kirsty Eyre, Abigail Mann, Asia MacKay and Helen Lederer that it became so clear. The biggest tool we have to overcome this time of gloom is humour. It is the only way out of any tragedy. Humour. And reflection.

Make a list of things you have learnt from the time inside your home and away from all the hustle and bustle.

Here is mine:

-        Don’t eat bats

-        Think about why people eat bats; are we that different?

-        Washing hands and staying home when you are sick is not as OCD as I assumed

-        I am such a procrastinator 

-        Writing is good for the soul

-        My goals are often unattainable; be more realistic

-        Less is more

-        I clean better than my cleaner

-        I cannot iron

-        I cannot sew

-        Facial masks also hide facial hair. Win win. (Also- Slipknot knew the power of masks all along.)

-        I need to moisturize more

-        I spend far too much time on social media

-        Social Media drains your soul

-        You can never have enough books

-        Listen to music 

-        Be kind to yourself

PS I may just let you know all the re-scheduled concert dates. But before I do, I will have to dry my tears about not seeing Pearl Jam this year. That may take a while. Take care of yourself and yours!

FAVE TWO NEW RELEASES

Can we just start with SLIPKNOT please? Rock is not dead and they have just proved it.

I used to be scared of SLIPKNOT. Proper scared. I loved their music, but as an MTV-generation kid, their videos freaked me out; I could never add the two together and never got the masks. Then my 13-year-old kid took me to my first ever gig, confessing I never partook in the Meet & Greet he had the pleasure of attending. The rest is history, as they say…

Their first two albums “Slipknot” and “Iowa” were aggressive and full of attitude, but their third album “Vol. 3: (The Subliminal Verses)” was a genuine masterpiece. You can argue the next two albums all you like, e.g. a little more mainstream followed by a homage to Paul Gray, but this, their sixth album “We Are Not Your Kind” is by far the best music SLIPKNOT have released since “Vol.3”.

I have read reviews of this album, that it isn’t hard core enough, but surely musicians have to grow rather than play the same old over and over again. With Jay Weinberg on drums, songs like “Birth of the Cruel” are a testament to a musical evolution by the band and for those who really need to vent “Red Flag” (Rockculture’s favourite) and “Solway Firth” are surely enough to keep the vocal chords (un)happy. Corey Taylor’s voice has matured and the production of the album is altogether a lot warmer than many would expect.

SLIPKNOT have worked with a lot of samples this time around, but so clever and so in tune with a solid metal album, that the only thing we can really criticize about their latest release, is that they are taking so bloody long to play it live. Though, I guess, it gives us enough time to learn the lyrics by heart. Every single word.

Live Nation are in charge of their German tour, with Special Guest BEHEMOTH, kicking off on

29.01.20 in Frankfurt, Festhalle then the following dates along with more dates throughout Europe

08.02.20 Stuttgart Schleyerhalle

09.02.20 München Olympiahalle

12.02.20 Zürich Hallenstadion *

14.02.20 Wien Stadthalle

16.02.20 Hamburg Barclaycard Arena

17.02.20 Berlin Mercedes-Benz Arena

18.02.20 Dortmund Westfalenhalle

For more information, follow any of these links

www.slipknot1.com

www.facebook.com/slipknot

www.instagram.com/slipknot

www.twitter.com/slipknot

www.youtube.com/user/slipknot

Press Photo Courtesy of Live Nation

ANOTHER ALBUM RELEASE AND UPCOMING TOUR

Another sixth album release, i.e. counting their twin release of “Juggernaut Alpha & Omega” as two separate releases, came about for the Djent masters of PERIPHERY.

The unbelievably gifted musicians from Washington have only just gone ahead and perfected their art with this album “Periphery IV: Hail Stan”. Not phased by their Grammy nomination, Spencer Sotelo (vocals), Misha Mansoor, Jake Bowen and Mark Holcomb (guitars) and Matt Halpern (drums) have furthered anything you have ever wanted to label Prog Rock.

Holcomb says “our new material is not what is expected of us. It would be great to be known for our unpredictability.”

We can predict their shows in November to be something which will leave you flabbergasted. Their German dates are

01.11.19 Köln Essigfabrik

02.11.19 Hamburg Greenspan

04.11.19 München Backstage Werk

(Promoter FKP Scorpio)

Courtesy of FKP

FESTIVALS anyone?

Is it just me, or are there more festivals than ever before? At Rockculture we tend to stick to the ones we know. I think for the most part, the festivals are a nightmare for the artists. They only have super limited time to play and the technical side of things can be challenging. For the fans it is equally challenging because there’s a whole cult of festival goers who go just to enjoy the festival rather than the musical acts. The organisers, for the most part, make sure there’s enough to go around for both though.

Still. We are lined up to go to these festivals in 2019- Rock im Park and Rock Werchter.

Rock im Park 2019

Highlights on Friday must be Architects and Bring Me. The latter got so much hate from their old fanbase for their last album “amo”, which is a technical masterpiece and has raised their ballgame. They have been able to truly grow as artists and even the hardest metalhead’s guilty pleasure must be to rave to some of BMTH’s dance tunes. Both bands have incredible live sets and I am in awe of the Architects to return to the stage where Tom Searle performed his last concert.

Saturday….Saturday….Saturday. Another band who got a lot of hate for going in a more melodic direction is Slipknot. Cannot wait for the intellectual of all metalheads, Corey Taylor, to prove to the crowd in Nürnberg how Slipknot are alive and kicking, knee- and spine surgery and all.

Sunday is going to be exhausting for us at Rockculture and we hope we make it all the way to Tool cos having to see some of our favourite bands in history, Smashing Pumpkins, Beartooth, While She Sleeps and Alice in Chains (!!!!!) will surely make our hearts race and our throats sore. Cage the Elephant could prove to calm things down, but then again, too many good tunes to stay still.

***

We literally only have a few weeks to recover from Rock im Park before we head off to Belgium for Rock Werchter. We were not going to go back to Belgium for any festival for personal reasons, but the line-up has swayed us.

Thursday kicks off with a band who should be seen live before you judge their music, Deaf Havana. Their last album “Rituals”was too poppy for some (there is a theme here, with bands venturing into more melodic tunes and getting abuse), but it has opened them up to so many new fans. Live they are truly amazing, so don’t miss them. They are still pretty rock’n’roll, you know. P!NK is one of those acts, too. Yes, I am actually mentioning P!NK and Deaf Havana in one paragraph. Whilst Deaf Havana convince with their musical talents on stage, P!NK does so as an artist on a whole. Her live shows are phenomenal and her personality will grip you wholeheartedly.

Friday I am in Love- guess who we are here for. Yes, some of our favourites are here, Bring Me, SWMRS, Weezer and Snarky Puppy. But ultimately Friday I am in Love because….The Cure. Come on. This is the highlight of anyone, but especially us at Rockculture, and I don’t care if that is showing my age.

Saturday and Sunday is bound to be interesting, too, but who knows if we are still up for the likes of Two Door Cinema Club, Parkway Drive and Greta van Fleet. Send us loads of pics, in case we miss Saturday and Sunday due to exhaustion from the epic Friday at Werchter.

Rock Werchter 2019